The beautifully painted front doors, September 2014 (thanks Mary Grogan)
Alison Deal shares the mystical experience she had when creating our wonderful ‘stained glass’ windows. She writes:
Approximately ten years ago Sausalito Presbyterian Church started having art shows in Thompson Hall. I was intrigued by the idea of having a show of my own. My fellow choir members encouraged me to sign up for a month so I hesitantly did. I had only recently begun practicing my art again. I had re-found the media of soft pastel and remembered learning pastels as a child. The moment I picked up a piece of pastel the creativity I had lost for many years while working as an Interior Designer exploded out of me onto the paper. I was thrilled to do my art again and had many photographs waiting to be drawn.
So I signed up for a show that would start on Easter Sunday. I had several months to prepare. I began to collect pieces for a cohesive show. One Sunday I was sitting in the back of the sanctuary during church, which was unusual for me since I usually sat with the choir in front, on the side. This week we weren’t singing so I sat in the back in full view of our beautiful sanctuary. I noticed the curtains in the back of the altar and wondered what was behind them. I also noticed that there was a piece from the current artist showing downstairs on an easel in the altar area. I thought that was really nice and wondered if I could also put a piece of my art up in front during my show. After the service I went up and looked behind the curtains. What I saw through the diamond shaped mullions was San Francisco Bay and Angel Island. I thought it was a shame that the people sitting in the sanctuary couldn’t see the view of “angel island.” It seemed so appropriate.
I went home to my yacht in the harbor and threw my self into my work. In fact I threw myself into a fall and broke my left foot. For the next six weeks I was forced to strap on a walking cast and hobble around, which wasn’t easy. I decided to keep the show focused mostly on my sunsets. I am not a morning person. Most of my skyscapes are evening pictures since I’m rarely awake to see the sunrise. I worked and worked to get the eight or more pieces done . . . read more
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